Showing posts with label Amsterdam. Show all posts
Showing posts with label Amsterdam. Show all posts

Wednesday, July 7, 2010

Review: The Black Keys at Amsterdam's Paradiso

The hottest day of the year so far, a Dutch win against Slovakia in the World Cup and five hours of celebratory drinking bred a thirsty, sweaty fever for The Black Keys' heavy blues, that thickfreakness if you will, the Akron Ohio duo are known for.
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And sure enough, Dan and Patrick appease the masses opening with just that, 'Thickfreakness'. The brick-house riffing and hard drumming of the early single stirs the sold out old church and the crowd heaves. Hot.

Patrick drives down on the simple kit, his face twitching and coursing through a range of expressions; slightly rock, slightly mental. Dan's rolling guitar picking, while technical, carries more flow and when he jams out, bent over the guitar he seems to have this headbang-on-slo-mo style where his hair defies gravity and his back curls hard.

It's sexy voodoo blues, writhing with the burdened spirit of Robert Johnson, tales of wrong doings and love gone foul. From Attack Release, 'Strange Times' creeps with a lurk, sprawling the Keys' music beyond their original sound to something more multidimensional, aided initially on record by producer Danger Mouse.

Rolling down the line, as if the sound they punch out isn't enough, the two are accompanied on stage by a bass player and keyboardist. The bass rumbles past Auerbach's guitar - which wouldn't normally need support - and throughout the overflowing hall. Likewise the organ grinds out a psychedelic path of its own, adding to that wall of voodoo. If it wasn't before, it's scorching now.

New tunes play equal favourites to old, with a succession from Brothers. Opener, 'Everlasting Night' chugs along with Auerbach's falsetto before the personal redemption and kiss off of 'Next Girl' and the glam stomp of the Dr Who-esque 'Howling For You' as we all sing 'dada-da-da-da, dada-da-da-da'.

With more axes then an angry dwarf convention, Dan chops and changes with every song, all immaculate with new tones and a whole lotta richness, continuing through the soul of Brothers' 'I'm Not The One' and Magic Potion's 'Your Touch' and finishing the set with raw, creeping roll of 'I Got Mine' from Attack Release.

An uproarious crowd laid it on thick for an encore, from the stage front to the third tier rungs. 'So She Won't Break' burns to a slow heat. The Black Keys are an amazing live band who harness unbridled rock, while keeping it wild - no more evident than on 'Set You Free', their closer for the night, where wrangling guitar licks and whipping drum rolls are cut through by Dan's soulful voice and heavy groove.

We spill out of the old church and onto the street to an unfamiliar yet comforting warm night in Holland that feels more like a steamy evening in the deep south after midnight mass. Thank heavens for the Black Keys.

Sunday, May 23, 2010

Phosphorescent in Amsterdam

Matthew Houck and friends, better known as Phosphorescent, are an alt-country/indie-folk/whathaveyou outfit originally from Athens Georgia, a town of great rock pedigree, now residing in Brooklyn.Photobucket Prolific recording under the Phosphorescent moniker, Houck has cut five records since 2003 including the Willie Nelson tribute album, To Willie that brings to light just how dark the country star could be.

In his own right, Houck's latest, Here's To Taking It Easy is far more upbeat than 2007's equally brilliant, yet more melancholy Pride. Opener 'It's Hard To Be Humble' sets the tone with horns and honky tonk while 'I don't care if there's cursing' carries on that copacetic attitude of the album title - Phosphorescent are here for a good time, not a long time so if the beer runs out, well it ain't worth sticking 'round. 'The Mermaid Parade' is a dreamy slow roll 'n' sway named after the Coney Island festival while 'Heaven, Sittin Down' feels cut from the Willie writing book about a tiring but content life on the road.

However, 'Hej, Me I'm Light' shifts gear as a hypnotic, eerie and atmospheric track with a gospel sound and simple chorus that builds in intensity with mesmerising effect. Meanwhile final track 'Los Angeles' sprawls like the city in sluggish heat with slow heavy steps and slide guitar for a full eight minutes and feels like a modern-day western soundtrack.

In Amsterdam on a press day before returning again for show at Bitterzoet on 6 June, a few cowboy boots converged on scuzzy converse as Matthew and band stopped into the Subbacultcha headquarters. With cocktails in hand and a sun who came to the party occasionally, a small and lucky audience, a few which were cameramen, gathered on the building's rooftop, privy to a performance by Houck. While the rest of the band knocked back mojitos and strawberry dacquiris and chimed in occasional harmonies, Matthew played new tracks 'We'll Be Here Soon', 'The Mermaid Parade' and 'Heaven, Sittin Down' to the city - to the church steeples, canal houses and noisy trams. See 'Mermaid Parade' below (you might even spot my ugly mug) and check out the new album and his great back catalogue.

Subbacultcha! Rooftop Session Phosphorescent from Subbacultcha! on Vimeo.

Thursday, February 11, 2010

Midlake at Amsterdam's Paradiso

Last night Texan classic rock revivalists Midlake (interview below) rolled into town. With the band running late, a few of us lucky early ones snuck in and caught their sound-check just before the doors actually opened. It was interesting to watch with the lights on - kinda like sex, there's definitely something missing - and I'm pretty sure they hadn't applied their onstage-beards yet.

A sold out show at the Paradiso promised an enthusiastic crowd while an album just released, The Courage of Others suggested there'd be a mix of new and old songs, for better or for worse.
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Midlake came to prominence with 2006's The Trials of Van Occupanther (was he Dutch?) an instant indie classic for both you and yer old man, conjuring the spirits of Crosby Stills & Nash, Neil Young's Harvest-era, Fleetwood Mac and a touch, dare I say, of the Eagles - 'forrest rock' as my girlfriend, Liz calls it.

Last night, the shows' standouts came from said first album, the likes of 'Young Bride', 'Head Home' and the gem 'Roscoe' were all crowd favourites with a rocking end to 'Head Home' courtesy of drummer McKenzie Smith. Likewise, their encore 'Branches' was from Van Occupanther, and a mellow closure to the evening.
At the end of the show the band were openly blown away when the house lights went on to reveal three tiers of fans in rapturous applause.

Maybe that's because the band knew what I knew; where the old songs rocked, the new songs felt awash in sameness. Since Van Occupanther we've seen a swag of fellow vintage rockers lathered with smooth folk vocals and harmonies, check shirts and beards. None derivative, all bring something new to the table (or take away) - the likes of Fleet Foxes, Bon Ivor and Local Natives.
Understandably, in an attempt to distance themselves from the sound, or more appropriately, three more years of touring the same style of songs, Midlake have moved from forrest rock to druid-folk, especially if we're going off their album covers; American woodland the former, robes and celtic symbolism the latter.

The move to British folk territory on The Courage of Others seems to have payed off as well as Michael Jordan's to baseball. Instead of my Dad's Neil Young records I hear my mum's Steeleye Span records. Fair play, they give it ago and have mastered the sound but at what point might one think 'maybe four guitars are too many?' There's also more flute than you can chuck an Enya at. Plus, on the night, Tim's voice was too low in the mix, his mellow tones too easily washed away.

With the best seats in the house (for those in the know, front and centre on the balcony, that almost box-seat part) we were hoping to be blown away, and for the songs from the first album we were by their weaving tapestry and texture. Songs from the second instead blanketed us in druid drone with not enough melodies or rich harmonies. Shame really.

Tuesday, February 2, 2010

Still Flyin' at Amsterdam's Paradiso

Tonight at the Paradiso there's two great shows. At 7.30 get along and see the brilliant twang of Low Anthem. These Rhode Island natives have just about made Amsterdam their second home with numerous shows and recording here. At 10 see Still Flyin' - a delightfully fun outfit from San Francisco I first saw at 2008's Sydney Laneway Festival (a festival we sadly missed this past Sunday when Liz and I had to fly back to Amsterdam - from all accounts, a brilliant day with great bands) where body boards helped the crowd surfers. Tonight's performance is now half price at the Last Minute Ticket Shop, so get buying.

From iamsterdam.com

Still Flyin', a San Francisco collective bring nothing but fun and good times to their shambolic shows with a revolving door of artists and honourary members. Depending on their location in the world you might find more people on stage than in the crowd.

Take your shoes off
With sugary doses of indie-pop, the up-rocked skank of reggae plus the sunshine of Jimmy Buffet and the avant garde of Talking Heads, a genre they've dubbed Hamm Jamm, Still Flyin will hold themselves accountable if your dancing shoes wear out in one night. But then again, with a band website titled www.takeyourshoesoffyoudontneedtheminthesky.com, they've already suggested you remove them. Expect tunes like 'Lucky It's A Ghost Town Around Here' (see vid), 'Aerosmith Take Me To The Otherside' and 'Forever Dudes'

Flyin Facts
They've played alongside the likes of Architecture in Helsinki finding a musical kinship with the oddball Melbournites, as well as Jens Lekman and Spiral Stairs who curated and hosted them at the 2008 Sled Island Festival in Calgary. Last year they released their debut album Never Gunna Touch The Ground after a succession of singles and EPs. Hamm Jamm, more fun for your feet than toe jam.

Wednesday, July 15, 2009

Article: Amsterdamned - is the party over?

Tell your mates you’re off to Amsterdam, and it’ll no doubt set off a bout of high-fives and pantomime joint-toking (depending on how stupid your mates are). But new laws and regulations are putting the city’s famous tolerance levels under the spotlight. So is the party really over?PhotobucketFrom JMAG

The idea of tolerance has been at the heart of the Dutch well before philosopher Baruch Spinoza preached about it in 17th century Amsterdam. Now in the 21st century, inquisitive travellers and pilgrims of vice seek out the old city's infamous Red Light District of De Wallen (The Walls), synonymous with legal weed and pot-smoking coffeeshops, shroom-tripping and prostitution to experience pragmatism in practice first hand. Whether they indulge or not, tourists can't deny the Dutch line of thinking has built a society that allows a few more freedoms than most other countries, while still maintaining the safety of its peoples.

However, concurrently Amsterdam and The Netherlands are going through periods of change and many fear the nation's unique characteristics are getting bent and stripped towards conservatism, with some brothels and coffeeshops forced to close and the magic mushroom trade outlawed entirely. "Tolerance and freedom do not imply indifference," says Bas Bruijn, press officer for the City of Amsterdam.

At a municipal level, Amsterdam mayor Job Cohen and City Hall believe over the last few years "an imbalance has evolved between the various activities" within the Red Light District. Says Bruijn "low-level economic activities and crime-sensitive sectors have become over-represented. The concentration has attracted criminal elements, and had an adverse effect on the city's living conditions and economic climate."

In response the municipality created Project 1012 in an effort to wipe out the crime and re-establish a balance in the neighbourhood to a mix of "shady and chic"; inviting for businesses, residents and tourists alike, with upmarket bars and boutiques, culture and cuisine alongside brothels and coffee shops.

"By reducing the number of coffee shops and prostitution windows the City takes a firmer control over the sector in order to put an end to unacceptable practices, such as money laundering and women-trafficking," says Bruijn.

The Project documents state "prostitution will be reduced and zoned to two well-organised areas. As such, half of the supply will continue to exist. Approximately 243 of the original 482 windows will remain. One quarter have already been sold to housing corporations over the last year."
PhotobucketBut won't the ladies start working the streets, where prostitution is illegal? "We will closely monitor the consequences of the current plans. A couple of years ago the City closed an extended prostitution area," say Bruijn. "At that time the same question came up. We managed to close this prostitution area without an increase in underground activities."

Mariska Majoor, an ex-prostitute who runs the Prostitute Information Centre in the Red Light District for 15 years disagrees. She says the most recent closures did push a small group to the streets. "When it gets busier in the summertime we can see the effects better". So does she agree the district needs a clean up? "For a part. We see the problems on the street with drugs and girls with pimps behind some of the windows as well. But the government makes it sound worse than it really is. I think that they simply don’t like the Red Light District at all and they use trafficking as an excuse."

The other avenue to cut out the criminal stronghold on the Red Light District is a reduction of up to 50% of its coffee shops to leave 26 in total, that translates to a 17% reduction across all of Amsterdam.

To quote Pulp Fiction's Vincent Vega, "it's legal, but it ain't a hundred percent legal…It breaks down like this." The Dutch Government's drug policy guide cites the USA's Institute of Medicine findings that "there is no persuasive evidence that the pharmacological properties of cannabis can provoke the switch to hard drugs," and thus cannabis is only a 'gateway drug' via its sociological properties. So the aim of the coffeeshop according to the guide is to "keep cannabis separate from hard drugs in order to protect cannabis users from exposure to hard drugs and the criminal elements who traffic in them." Ironically, while the retail is legal, the backdoor wholesale of marijuana to coffeeshops is illegal and is run by organised crime, the same 'criminal elements' controlling the hard drugs.PhotobucketHowever, some within the government want to dam up the illegal revenue streams by flowing the weed via their own channels, much like their canals. During last year's 'cannabis summit', involving 33 Mayors from across the nation discussing issues of drug tourism and smuggling on border towns and the strong link to organised crime, Eindhoven mayor Rob de Gizjel told Dutch newspaper Volkskrant of the need to develop a government-sponsored grow-op.

"Authorities must get a grip on the supply of drugs to coffeeshops. It's time that we experiment with a system of regulated plantations so we can have strict guidelines and controls on the quality and price." Mayor de Gizjel said.

It's not only municipalities that are eager to pass the Dutch laws. The federal government last year made news around the world by snuffing out tobacco-spun joints in coffeeshops, leaving smokers to toke only pure weed indoors or buy mixed pre-rolled joints to take-away. They also decided that "municipalities should develop and implement additional rules regarding the distance (250 meters) of coffeeshops to secondary schools," states Saskia Hommes, spokesperson for the ministry of Health, Welfare and Sport. The regulation would mean closure of another 43 coffee shops within Amsterdam by 2011.

And it's not only reefer madness for drug lovers. The most recent national law change saw the sale of magic mushrooms outlawed as of December 1, 2008. Known locally as 'paddos', magic mushies were available for sale at so called 'Smartshops' to customers 18 years and over, on the proviso that the fungi was accompanied by adequate information about use and abuse of the drug, what not to take in conjunction with the shrooms (alcohol), and how to have a safe and enjoyable high. From the government's point of view it kept that buffer between hard drug dealer and user. However, Hommes says that the message wasn't getting to some users.

"Looking at recent incidents concerning the misuse of mushrooms by certain individuals, the Dutch Minister of Health felt he had to ban the sale of mushrooms because the control and information were not preventing foresaid incidents." One such high profile incident was the 2007 death of a French tourist who jumped from a prominent building rooftop while tripping on shrooms, falling to the traffic below. The 17-year-old's parents blamed the Dutch state even though the sale was to her of-age friend and not to the minor herself.

The stores do sell weaker highs like Ayahuasca, similar to a low dose of psilocybin – the alkaloid in shrooms that makes one trip – but the tourists want the real deal. This pushes the market to the streets where dealers don't have the time or responsibility to give tourists the spiel, and closes the gap between soft and hard drugs. Hommes says, however "there are no signals that the trade has gone underground, that people are dealing mushrooms on the streets." It has however left smartshop proprietors to rely on the sale of weaker highs, and worse, paraphernalia of aliens saying 'take me to your dealer'.
PhotobucketNevertheless, while changes take place tolerance remains the keystone to Dutch society and Amsterdam's bright red beacon of De Wallen. The pragmatic lawmakers and politicians believe the system is working. Bruijn urges, "This is not a 'crackdown' on the Red Light District and coffeeshops. It is a realistic approach towards prostitution and soft drugs." So foreign travellers, you needn't worry you'll miss out on the novelty of girls in the windows or puffing legal weed, there might just be fewer but a lot more than you're used to. On top of that, they only last year outlawed bestiality, but the Dutch national animal is the lion so it's probably for the best.

Friday, June 5, 2009

Preview: Yo La Tengo

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Fuckbook
In March of 2009 covers band Condo Fucks released the record Fuckbook - a collection of skuzzy, stonkin' garage tunes from the likes of The Troggs, The Kinks, Slade and Richard Hell. They executed it with pin-point accuracy for sound and atmosphere of the era. Yo La Tengo fans, will know the Condo Fucks are just a wise-ass side project thingy for the Hoboken, New Jersey trio that have been around for 25 years or so. Fuckbook has been the fans only respite since 06's I Am Not Afraid And I Will Beat Your Ass, an exceptional album that made numerous music media's top albums list. They did however record the score to Adventureland... I guess that counts.

Popular Songs
However good news folks. A leaked song "Periodically Double or Triple", a slinky little ditty that sounds like a Meters or Booker T tune, precedes the just announced new album, Popular Songs to be expected September 8. By all accounts it's quite diverse, as you'd expect from YLT – more at Matador Records HQ.

Bimhuis and fine wine
If all goes to plan I will be interviewing them (daunting? Yes. Awesome? Also) when they stop in to Amsterdam to play the Bimhuis. An odd destination for an indie band but obviously Yo La Tengo aren't just an indie band. Improv is a great part in the performance of bassplayer/organ player James McNew, guitar player Ira Kaplan and drummer (and Kaplan's wife) Georgia Hubley. Their show at the Bimhuis will see an intimate, mostly acoustic reworking of original songs from their 25-year history and maybe a few cheeky samples from Popular Songs. As music website Pitchforkmedia said. 'Fine wines wish they could age as well as Yo La Tengo'.

Wednesday, June 3, 2009

Lucky Dragons at Subbacultcha


Lucky Dragons at Subbacultcha
More recently we've had ol' Rhys Jones and his brother Gareth stay with us. We went to the Subbacultcha magazine party at De Nieuwe Anita to see LA-based Lucky Dragons supported by locals The Wolf, Death and the Acorn who carried a hypnotising, reverberating rhythm, from folky elements to build a sound, at times, similar to Animal Collective and will definitely be worth keeping an eye out for in the future around town.
At first duo Lucky Dragons, crouched over a computer, some bongos and a mess of cords were a shitty noise of loops and self indulgence that didn't know the crap they were making in their bedroom would not actually translate to a live audience.
That's until they began getting the audience involved. On one side punters were invited to wave rocks over geiger counter-looking device while on the other side kneeling audience members were given various rods covered in material that emitted and/or prevented noise outputs to hold hands, covered hands, waved finger tips, all varying pitch and tone. All of a sudden Lucky Dragons weren't making self-indulgent art wank, but community-based soundscaping, literally bridging the gap between musician and audience to build one mass, sonic orgy experiment that Benjamin Franklin, Aphex Twin and Alfred Kinsey could appreciate, okay not so much Kinsey. The video above will explain more.

Tuesday, March 10, 2009

Video: Eagles of Death Metal rock Amsterdam

I filmed the Eagles of Death Metal show at Paradiso for SPINearth.tv last week. It was a great show but little did I know that I had friends at the gig... turns out they got backstage and partied with Joey 'Sexy Mexy' Costello and Big Hands O'Connor... and drank their rider. Ho-hum, here's my report.
Click here for video
The Eagles of Death Metal are fucking rad: sweaty-sexy-truck-stop-rock-n-roll-fucking-rad. Tongue firmly in cheek while still paying respect to the Rolling Stones, ZZ Top, Lynard Skynard, Foghat and all the great swampy southern skids that ever pickled their livers in sour mash, a EoDM is the best dang knees-up since the Devil went down to Georgia.
And so Jesse 'the Devil' Hughes, Darlin' Dave, Big Hands O'Connor and Joey Castillo the Sexy Mexy took the stage – albeit ironically to "Straight Outta Compton" – and it wasn't long before they let us know what they came to do – Bang. Other standouts throughout the set included "Cherry Cola", "I Want You So Hard" and "High Voltage".
But that wasn't enough. All three levels of the sold out Paradiso crowd were spilling over each other cheering and near done blew the roof off the old church as the Devil took the stage for the encore. He was visibly taken back, pacing the stage, soaking it up and that only made the cheer louder. So he mellowed them down with an old country ballad before covering The Ramones' "Beat on The Brat" and the Stones' "Brown Sugar" to which the rest of the band joined him before closing with "Wannabe in LA".
The Devil's revival rolled into Amsterdam that night and possessed the normally placid Dutch crowd, leaving them baptised in beer and rock n roll and exorcised of all the boring and straight in their life… at least until the next day.

Eagles of Death Metal website
Eagles of Death metal mySpace

Thursday, February 19, 2009

Video: Kaiser Chiefs Rock Amsterdam

The SPIN Earth website has launched at long last and you should all go and check it out. It's a pretty slick operation, a must for all music-loving travelers or travel-loving musos alike. You can watch the best gigs from New York, Paris, London and Sydney but also dive into the music scene of Lagos, Singapore, Bogata, Adelaide and shitloads more. Also, if you are planning to travel, scope out who's playing in your destinations in the coming months with the gig guide. Nothing sucks more than getting to Berlin to find out Kraftwerk has sold out. Anyway, Monday night I hit up the Kaiser Chiefs show at Heineken Music Hall, here's my report.


View video

"We are the Kaiser Chiefs and we demand perfection," announced Ricky Wilson to the sold out Heineken Music Hall in Amsterdam.
A boisterous frontman, a 'raise the roof' sound, an electric light show, and simple lyrics the fans love to shout en masse all make for a fun gig.
And whether you loved them when they first came out and still love them today, or feel they've lost that initial punch that had them giving relief from moppy Britpop while predicting riots back in 2005, there's no denying the Kaiser Chiefs are meant for the stadium.
Sure enough the Leeds lads brought with them their infectious yell-a-longs and it's hard to deny them, even for the most subdued Dutchie or cool kid that thought the Kaisers were 'so 2005'.
Opening with "Spanish Metal" and "Everyday I love You Less and Less" with new songs "You Want History" and "Good Days Bad Days" rounding out the middle, it gave space for crowd favourites "Ruby" and "I Predict A Riot" to close the first part of the show – fans going suitably nuts, reminding us of the urgency and freshness that rode on this post punk, new wave revival four years ago.
The encore was reserved for the likes of Kaiser classics "Modern Way" and finale "Oh My God". What is a bit of a nothing song on record in my opinion turned into a rollicking blaspheme-fest live. As Ricky sang the crowd replied, to quote the song's own line, "coming back stronger than a powered-up Pac-Man". Amidst the climax, the back wall bleachers were finally on their feet having seemed reluctant the majority of the show, while on the floor the less-reserved flung near empty beer cups, the last drops of a good session tossed in celebration, piercing the light show. The Kaiser Chiefs' last show in Europe for this tour went out with a bang, leaving a smiling, sweaty crowd.

Kaiser Chiefs website
Kaiser Chiefs mySpace

Monday, December 22, 2008

A night out in Amsterdam


After a recent Tricky show at Amsterdam's Paradiso I hung around out the front to ask a few punters, some coming out of Tricky, others going into a hiphop show, where the best night spots are to go out.
If you're coming to Amsterdam soon and want to find where the cool kids hang, rather than just sitting in the Leidseplein at a tourist's bar, listen closely.
Pass the Dutch.